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  1. When you go outside after it hails for more than 20 minutes

    1. Camera Canon CanoScan LiDE 200

      Originally appeared in this edition of the excellent Mr. Spoqui zine. 

      1. Millennial navel-gazing (I think).

        1. A comic in rhyme about time-travel and a cow on the tracks. 

          1. Source: alfredojaar.net

            June 1–November 24, 2013
            

Venezia, Venezia
            an immersive installation
            Pavilion of Chile
, 55th International Art Exhibition, la Biennale di Venezia


            by Alfredo Jaar  

            1. Source: vimeo.com

              1975
              Conical Intersect, for the ninth Biennale de Paris
              18:40 min, color, silent, 16 mm film on video
              Gordon Matta-Clark, Bruno de Witt

              preceded by:
              1974, Splitting, two-story home in New Jersey slated for demolition
              Chromogenic prints mounted on board. 40 x 30 in. (101.6 x 76.2 cm)

              see also:
              http://www.tate.org.uk/research/publications/tate-papers/towards-anarchitecture-gordon-matta-clark-and-le-corbusier

              http://www.afterall.org/books/one.work/gordon-matta-clark-conical-intersect

              move2thecity:

              Gordon C. Matta Clark

              1. Play

                23 April 2005
                Zidane, a Twenty-First-Century Portrait, 90m
                championship match  Real Madrid v. Villarreal
                17 cameras ( first commercial use of two Panavision HD cameras with specially modified zoom,  courtesy of the US Department of Defence)
                Douglas Gordon and Philippe Parreno

                saltwatercat:

                In Douglas Gordon’s and Philippe Parreno’s “Zidane, A 21st century portrait”
                realism and fiction are bridged
                by following a regular La lega match
                which frames Zinedine Zidane in cinematography.

                While Zidane performs his game over the entire 91minute realtime movie, a radical scene cut is quasi nonexistent and a set of cameras continuously glimpse all the subtlety which a fan’s aerial perspective at home might lack. 

                In retrospect,
                Zidane’s persona addresses the screen in a silent commentary of well paced subtitles and thus,
                opens up a solitude by screening a portrayal in a manner that is very particular to cinema.

                This very intimate frame seems to transpose the director’s own approach, 
                where moments of assimilation happen in postproduction and the event itself,
                in Zidane’s own words on football,
                is not “experienced or remembered in ‘Realtime’”
                but rather, in a re-play through a distant lens.

                -Aidan Celeste, 2012 

                1. Camera Fujifilm FinePix S5500
                  ISO 200
                  Aperture f/3
                  Exposure 1/7th
                  Focal Length 13mm

                  virginiaproust:

                  April, 1958

                  1. rat cortical column - Blue Brain Project/EPFL http://bluebrain.epfl.ch/
                    few neurons - Blue Brain Project/EPFL http://bluebrain.epfl.ch/single neuron - Blue Brain Project/EPFL http://bluebrain.epfl.ch/column (zoom in) - Blue Brain Project/EPFL http://bluebrain.epfl.ch/
                    the neurons from the fifth layer of neocortex  - Blue Brain Project/IBM/EPFL http://bluebrain.epfl.ch/

                    The Blue Brain Project succeeded in simulating a rat cortical column. This neuronal network, the size of a pinhead, recurs repeatedly in the cortex. A rat’s brain has about 100,000 columns of in the order of 10,000 neurons each.

                    Each column seems to be allotted to a simple yet essential function. For example, it has been possible to show that in the rat, one specific column is devoted to each whisker.

                    The project has produced a new understanding of the rules determining the structure of neuronal circuits, which appear to be far simpler than was previously believed.


                    Images and description: Blue Brain Project/EPFL http://bluebrain.epfl.ch/

                    1. Camera Nikon D80
                      ISO 100
                      Aperture f/9
                      Exposure 1/125th
                      Focal Length 82mm

                      ‘Seeing Glass’ project - http://www.flickr.com/photos/92854856@N06/sets/72157632922189115/

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