When you go outside after it hails for more than 20 minutes
Originally appeared in this edition of the excellent Mr. Spoqui zine.
June 1–November 24, 2013
Venezia, Venezia
an immersive installation
Pavilion of Chile
, 55th International Art Exhibition, la Biennale di Venezia
by Alfredo Jaar
1975
Conical Intersect, for the ninth Biennale de Paris
18:40 min, color, silent, 16 mm film on video
Gordon Matta-Clark, Bruno de Witt
preceded by:
1974, Splitting, two-story home in New Jersey slated for demolition
Chromogenic prints mounted on board. 40 x 30 in. (101.6 x 76.2 cm)
see also:
http://www.tate.org.uk/research/publications/tate-papers/towards-anarchitecture-gordon-matta-clark-and-le-corbusier
http://www.afterall.org/books/one.work/gordon-matta-clark-conical-intersect
Gordon C. Matta Clark
23 April 2005
Zidane, a Twenty-First-Century Portrait, 90m
championship match Real Madrid v. Villarreal
17 cameras ( first commercial use of two Panavision HD cameras with specially modified zoom, courtesy of the US Department of Defence)
Douglas Gordon and Philippe Parreno
In Douglas Gordon’s and Philippe Parreno’s “Zidane, A 21st century portrait”
realism and fiction are bridged
by following a regular La lega match
which frames Zinedine Zidane in cinematography.While Zidane performs his game over the entire 91minute realtime movie, a radical scene cut is quasi nonexistent and a set of cameras continuously glimpse all the subtlety which a fan’s aerial perspective at home might lack.
In retrospect,
Zidane’s persona addresses the screen in a silent commentary of well paced subtitles and thus,
opens up a solitude by screening a portrayal in a manner that is very particular to cinema.This very intimate frame seems to transpose the director’s own approach,
where moments of assimilation happen in postproduction and the event itself,
in Zidane’s own words on football,
is not “experienced or remembered in ‘Realtime’”
but rather, in a re-play through a distant lens.
-Aidan Celeste, 2012
The Blue Brain Project succeeded in simulating a rat cortical column. This neuronal network, the size of a pinhead, recurs repeatedly in the cortex. A rat’s brain has about 100,000 columns of in the order of 10,000 neurons each.
Each column seems to be allotted to a simple yet essential function. For example, it has been possible to show that in the rat, one specific column is devoted to each whisker.
The project has produced a new understanding of the rules determining the structure of neuronal circuits, which appear to be far simpler than was previously believed.
Images and description: Blue Brain Project/EPFL http://bluebrain.epfl.ch/
‘Seeing Glass’ project - http://www.flickr.com/photos/92854856@N06/sets/72157632922189115/